Spatial Installation: Video Loop, Generative Projection, Soundscape and Sculptural Elements
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A Performative Interdisciplinary Research
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An augmented digital Qin (琴)
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Interactive Installation
Presented on the occasion of the Days of Industrial Culture in collaboration with regional partners, Waterworks III in Hanau, 2023
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Sound Gaze Installation
Ausstellung: im Dialog mit Peter Fellin | Museum Festung Franzensfeste, Italien
| 1. Juli bis 12. November 2023
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Fieldwork Installation
Exhibited in the garden of the Berlin-Brandenburg Academy of Sciences and Humanities and as part of the exhibition Si Si Simbiosi at CASA BALDI, Olevano Romano, Italy, in 2021.
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Solo exhibition
at Kunstverein Leverkusen, Schloss Morsbroich e.V., April 2015
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An Immersive Multimedia Production
Architectural Facade Mapping · Multimedia Installation · Dance Performance
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A Video Essay
Length 49 min.
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CONTACT
Artist Statement
Echo Ho is an artist whose practice navigates the world by blending multiple dimensions of sound, image, performance, code, and memory. Rooted in philosophical, intuitive, and embodied research, her time-based works emerge from shifting personal and collective experiences, translating culturally informed gestures into sonic, visual, and spatial forms.
From tranquil ancient Qin sounds to contemporary noise compositions, and from archaic cosmologies to ethical AI, her work bridges geographic and temporal divides, reflecting a world in constant transformation. Her performances become rituals that merge digital and physical realms, exploring the evolving content of knowledge systems. Through both art and teaching, Ho creates spaces for deep questioning and presence, fostering reconciliation, transformation, and an awareness of what is becoming.
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June 2025
In der 10. Folge CLOSE ENCOUNTERS spricht die Künstlerin Echo Ho mit Maria Wildeis. Echo Ho ordnet sich ungern in Kategorien ein, ob Performancekünstlerin, bildende Künstlerin oder Filmemacherin. In ihrer Biografie gibt es zwar Stationen wie Malerei, ein Filmstudium in Hongkong, aber als sie anfing an der KHM in Köln zu studieren, hielt sie sich hauptsächlich im Klanglabor von Anthony Moore auf und so kamm die neue Welt von Sound und Elektonik dazu. Wenn es also ein Label sein muss, dann vielleicht die Medienkunst. Für Echo Ho kommt es aber vor allem darauf an, Material – und dazu gehören alle Medien – zu nutzen, um ihre Ideen zu materialisieren, um mit der Welt zu kommunizieren. Ob mit einem Kaktus, einer Qin oder einem gewebten Stück Stoff.
CV
The SlowQin: An Interdisciplinary Approach to Reinventing the Guqin
NIME’19, June 3-6, 2019, Federal University of Rio Grande do Sul, Porto Alegre, Brazil.
Art as Interface
Echo Ho in conversation with Birgit Hopfener
(Susanne Stemmler (Hg.): Wahrnehmung, Erfahrung, Experiment, Wissen. Objektivität und Subjektivität in den Künsten und den Wissenschaften )
2014
An author production (Ho & Janssen) for WDR and Deutschlandfunk Kultur 2021
Composition/sound music: Echo Ho / Text/libretto: Ulrike Janssen /
Voices: Daniel Werner, Bettina Wenzel, Melanie Lüninghoener
Last Updated 24.10.31
Premiere: Sonic Island – Theater an der Ruhr, 2025
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A hybrid performance
Premiere: Light Festival, Wasserschloss Reelkirchen,
September 2024
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A site specific performance
At Betonhalle, Silent Green, Berlin, Jan 14, 2024
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Untitled (無名)
Research-based installation and performance
The installation and performance took place at Gallery ITO Raum, Stuttgart,
on 23 March 2022
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TEMPORARY NATION
Worldwide Mobile Performance
Premiere: 16 October 2019, Tetramatyka Festival,
Lesi Kurbas Theater, Lviv, Ukraine
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SOMOGALARM
a sci-fi-tech-talk performance
Premiere at October. 2018 Britney Britney at Offenbachplatz - Schauspiel Cologne
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Klingon Tea Ceremony
An Ephemeral Installation and Performance
2015-2016 Schöppingen, Stuttgart, Berlin, and Cologne
Special Edition For the Hiroshima City Museum of Contemporary Art, 21.12.2025–12.01.2026